Cruisin’ With Eddie And Ric.
Ric Ocasek, main driver of the Cars
Has joined that big band up in the the stars,
Eddie Money’s cashed in his check as well,
Two Tickets To Paradise is preferable to Hell.
Ciao, Jaoa Gilberto.
‘Bye to the man who made ‘The Girl From Ipenema,’
That ode to the hot-blooded Latin dreamer- and schemer,
Jaoa’s beach partying days are done,
For him, the Ipeneman sands have run,
He’s had his time, his moment in the sun.
For Jaoa Gilberto, the reclusive master of the Bossa Nova
The dreams of golden beaches and glistening peaches are over.
Time, Tim.
Just days after the departure of Doris Day
Tim Conway has gone and gone the same way,
He’s done last his run, he’s taken his final bow,
He’ll be asking Saint Peter about any openings by now.
Who could ever forget
Tim cracking up Carol Burnett
And leaving the entire set
With cheeks and tidy-whities wet?
So Tim has sadly gone, and only God knows why-
Perhaps, these days, He feels He needs a funny guy?
Lordy, it’s not for us to question the likes of Thou
But he’s gone, and left, and it’s a sadder world now.
YesterDay.
We say goodnight to Doris today,
At ninety-seven she’s faded away,
No more virtuous parts will Doris play,
Bye, Americas eternally virginal sweetheart.
Perpetually preppy peppy Doris Day,
No movie dared show her going astray,
Not the kind of girl to take a roll in the hay,
Always the sweet girl-next-door, never the tart.
‘No no no’ our Doris must always say,
No petting, no rucking up of the duvet,
No deflowering of Doris, no hint of foreplay-
Not even with Rock Hudson gayly playing his part.
Doris was forever doomed to portray
The gal who favoured pajamas over negligee,
The blonde who’d kneel before bed- and pray!
No impassioned puckering could prise her lips apart.
Spoiler Alert.
Sorry, Luke Perry, for you, at 52, it’s time to go,
Yep, your number’s up, it’s Forest Lawn, not 90210,
Your final role is an unrehearsed and tragic one,
You’ve played your bit part, now the play is done.
E’en now, once teenage girls cry into their bouquets,
Pining, remembering a Dylan back in his salad days,
Still, Luke won’t have to see a slow sad decline,
To face his once-fresh face settle on another line.
Four, ‘Bye Two.
Ex-Monkee Peter Tork has gone and accompanied the Grim Reaper,
He’s hoping he can wangle an opening with St. Peter the Gatekeeper,
For old bandmates Dolenz and Nesmith this is a sad day,
Out on the unending Nostalgia Tour, still plugging away,
No chance of a trio now Pete’s on the last train to Clarkesville;
Now there’s only Micky and Mike left behind to half fill the bill.
(This came out a lot snarkier than intended, I don’t know why. Perhaps I’m a bit over too many groups/parts of groups/second cousins twice removed of groups still on the gravy train. (A sad day for Pete and fun music, in truth.)
In My Eye.
I sat misty eyed all through the eulogy,
Fine words heard makes it hard to see,
When my daughter rose I went to her side,
To stand strong, some comfort to provide.
If she faltered with her words I’d said
I’d take on the recitation in her stead,
But when I stood forth, as if to speak
Well, damn my eyes, they began to leak.
I had said I would speak up without a quaver
But on looking down the words began to waver,
So I stood by, mournfully manfully staunching my eye,
Ah, but my daughter spoke far more eloquently than I.
